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Slate Digital VRS8 + ML-1 Set

Prijs bij jaarhuur: € 2.642,68

Prijs bij directe koop: Excl. BTW: € 0,00 Incl. BTW: € 0,00

Jaarhuur

Prijs bij jaarhuur: € 2.642,68

Prijs bij directe koop: Excl. BTW: € 0,00 Incl. BTW: € 0,00

 Incl. BTW

Prijs per dag bij jaarhuur: € 1,54

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Virtual Analog interface & Virtual Microphone System

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Slate Digital VRS8 + ML-1 Set


Details

THE VRS8

The result of nearly three years of development, the new VRS8 Virtual Analog interface unifies Slate Digital’s software and hardware into a robust audio ecosystem called The Virtual Recording Studio. We used a “no compromise” design approach, resulting in a fantastic-sounding eight channel audio interface that leads the industry when it comes to components, specs, price and performance.

EIGHT ULTRA LINEAR PREAMPS

The start of any signal chain is extremely important, which is why the VRS8 features EIGHT high bandwidth Ultra Linear microphone preamps. These are the same ‘blank canvas’ design as the VMS-One preamp from our award-winning Virtual Microphone System, enabling you to use our modeling software to recreate the authentic sound of famous microphones and preamps. Each preamp has its own high-quality metal knob, so you can easily set levels like a regular analog preamp – instead of using single logic controller knobs and menus, as some of our competitors have chosen to do.

INDUSTRY BEST CONVERTERS

The next step in the signal chain is the converter itself. Instead of using budget components, the VRS8 offers mastering-quality conversion by incorporating the newest AKM AK5578 converter chips – offering a whopping industry-best 124db of dynamic range on all 8 inputs!

HIGH QUALITY COMPONENTS

The sound of an audio interface relies on much more than the converter chip itself – all of the components in the audio circuit have a direct result on the audio quality. Keeping to our “no compromise” design aesthetic, the VRS8 utilizes high-quality WIMA capacitors for the entire audio path.

LOW LATENCY NATIVE

Part of the goal behind creating the Virtual Recording Studio was to provide a near-realtime experience when using our analog modeled plugins while tracking. In order to achieve that goal, we created a new technology called LLN, which stands for “Low Latency Native”. LLN utilizes a custom hard-wired converter chipset, which reduces managed components in the audio path and allows an incredible .7 milliseconds of latency at 96K (with a 32 sample buffer). This latency spec allows you to monitor through mic and preamp emulations while tracking, giving you the ability to hear your audio in context while still allowing you to change your mind later.

XTC AUDIO CLOCK

The audio clock is the heart of any recording interface, which is why it was important that the VRS8 had a killer clocking system onboard. We use satellite-grade XTC clocking technology, utilizing four temperature-compensated crystal oscillators for ultra-stable audio performance, keeping your audio jitter and distortion free.

DISCRETE HEADPHONE AMPLIFIERS

Most engineers listen to music on headphones when working in the studio, but headphone amplifiers are the first place that manufacturers usually look to cut costs when building an interface. Instead of using typical designs that cost mere pennies, we use discrete amplifiers to ensure that your headphones sound robust and clear for all of your monitoring tasks. Not only that, we also added in two separate monitor mixes and the ability to use the VRS8 as a speaker switcher.

CROSS PLATFORM LOW LATENCY PERFORMANCE

The world of audio interfaces is rarely cross-platform when it comes to performance, meaning that Mac devices (using Thunderbolt) usually far outperform PC interfaces (using USB). While USB can be effective for two-channel designs, it requires more CPU overhead to manage, resulting in higher CPU usage and latency versus Thunderbolt – and the problem just gets worse as you add more channels. Unlike any other interface on the market, the VRS8 offers both Thunderbolt and PCIe connectivity for maximum cross-platform compatibility. The PCIe performance is the same as Thunderbolt. You can also link up to 6 VRS8’s via Thunderbolt to achieve 48 inputs and outputs.

NATIVE MIDI IO

Our “no compromise” design goal extended well into areas that other manufacturers simply ignore, which is evidenced by the VRS8’s native MIDI IO. Unlike USB MIDI interfaces (where MIDI information has to fight with your mouse, keyboard, and other USB traffic) MIDI IO on the VRS8 never touches the USB bus. You can count on hyper-accurate MIDI timing, and stuck sustain pedals when tracking keyboards and synths should become a thing of the past.

ML-1

The Virtual Microphone System

The “VMS” is a hybrid system that utilizes an extremely transparent condenser microphone, a sonically-neutral preamp, and state-of-the-art digital processing suite that recreates the tone of classic microphones and preamps. The Virtual Microphone System collapses the wall standing between audio engineers and expensive world-class audio tools, allowing them access to the virtual microphone locker of their dreams for under a thousand dollars.

The ML-1 microphone is the centerpiece of the Virtual Microphone System. This large diaphragm mic has a shock-mounted, gold sputtered, 6-micron capsule and a state of the art FET circuit path that ensures the most linear, flat, and clean ‘blank canvas’ response. Combined with the Slate Digital tube microphone modeling software, it can sound like some of the most classic microphones in recording history.

LATENCY FREE PROCESSING

The Virtual Microphone System software consists of the Classic Tubes microphone module, which contains eight classic tube microphone models, the FG-73 British discrete preamp module, and the FG-76 German tube preamp module. None of these processing blocks add any latency to the audio signal, so if you use a low latency interface with VMS you can track through the VMS software without any audible monitoring delay.

To accomplish this, we recommend a Thunderbolt or fast USB interface, recording at 96khz with the lowest buffer size possible. The combination of the 96khz sampling rate and low buffer size ensures the lowest possible latency.

THE VRS EXPERIENCE

Now you can experience the Slate Virtual Recording Studio including our VMS ML-2 instrument mic models. Click below to go to the VRS Experience page where you can download all the Slate plugins including demos of our VMS microphone plugins, as well as a multitrack session recorded with VMS mics through our VRS8 interface. When you download the plugins and the session, you can load up a track, and experiment with different world-class virtual microphones from the mic locker. Hear the vintage FET47F, 414, ribbon 121, and more.